“My whole concept for the album cover of I’m The Man was to do a take-off of Run-D.M.C. came out they were like rock stars,” Benante says, and “I’m the Man” is indeed representative of that appreciation, including a sample from Run-D.M.C.’s King of Rock along with Metallica and the Beastie Boys. “Some of us in the band took a liking to early rap music and the way Run-D.M.C. One musician who has no desire to distance himself is Charlie Benante, the drummer for Anthrax who co-flowed with guitarist Scott Ian on what is arguably the first true mixture of metal and hip-hop, 1987’s “I’m the Man.” (Faith No More’s Mike Bordin seems less concerned, as he has filled in as Korn’s drummer.) Such is the case with Helmet’s Page Hamilton and Faith No More’s Mike Patton both bands are direct influences on the genre, but the frontmen have loudly pointed fingers away from themselves, as if the relationship will somehow tarnish their bands. It was a tribute to their lineage, and Young still seems happy to accept his moniker as the Godfather of Grunge.įor the most part, those who most directly influenced nü-metal are far less enthusiastic to admit to any accountability.
#NU METAL ALBUMS FREE#
In 1993, Pearl Jam performed “Rockin’ in the Free World” with Neil Young at the MTV Music Awards.
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To be honest, we’re not even sure if it’s dead. But I found out very quickly that opinions on nü-metal’s significance are far from universal and, aside from a few key players and elements, no one is quite sure why it started, how it gained traction so quickly, and what put the stake through its heart. This article began as a quest to look at nü-metal from the perspective of those who at least had one foot in the regular metal community those who could tell us, now 20 years later, what the true impact had been. Nü-metal not only usurped its predecessor in popularity, but it also began to corrupt some of their own the DJ scratches were coming from inside the house.
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Hatred for it grew far and wide enough to spawn a successful pop song mocking it, Ben Folds’ “Rockin’ the Suburbs,” but unsurprisingly, the most vitriolic rhetoric came from the metal community: musicians, label heads and fans who saw their beloved genre both overshadowed and perverted. Despite certain bands having weathered the backlash-Korn still headlines music festivals Linkin Park’s The Hunting Party debuted at #3 on Billboard last year-the legacy of nü-metal is now considered a gimmicky fashion show, rife with faux aggression, simplistic songwriting and arrhythmic rapping. Which then died, less than a decade later.Įmerging with Korn’s “Blind” in 1994, and ending around the summer of 2003, when Limp Bizkit was forced from a stage in Chicago by an audience hurling garbage and chanting, “Fuck Fred Durst,” nü-metal remains one of the most maligned and despised genres since the dawn of rock ‘n’ roll.
![nu metal albums nu metal albums](https://gbhbl.files.wordpress.com/2014/02/hybrid-theory.jpg)
But then comes that growl- Are you reeeeeaaaady?!-and you hear a musical revolution being born… And it’s certainly not something a discerning producer is going to throw on the radio. A new band should be terrified to open a record like this, worried that potential listeners will get bored with a lone ride cymbal and high, jangly guitar chord. Nearly 50 seconds without tipping its hand. This article appears in the October 2015 issue of Decibel, available here.